vanstiefel.com

Van Stiefel

Complete Works


Four River Images
(2008)
Four movements for electric guitar and percussion quartet.
Stay tuned for forthcoming recording.

The Shape of Hands (2007-08)
Four pieces for solo electric guitar.
Stay tuned for forthcoming recording.

Corps Morcele (2007)
Music for solo instrument and laptop ensemble running ChucK.
Premiered by the WCU Laptop Quartet November 2007.

Vagabond (2007)
vs
Computer music composed using pluck string models in ChucK.
Sculpture by Caroline Lathan-Stiefel realized as a musical score.
Commissioned by L'Oreille dans l'oeil , curated by Sebastien Cliche.

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Red Glare as Prophet (2006)
Trumpet and electric guitar
Andreas Stolfus, Trumpet
Redpath Hall, McGill University

Juniper (2005)
Classical guitar and string quartet
for Eliot Fisk and the Vega Quartet
Emory Chamber Music Society
Highlands-Cashiers Chamber Music Festival



Another Ring of Fire (2005)
Sap Dream Electric Guitar Quartet:
Bryce Dessner of The National , Dave Nadal, Dan Lippel, and Van Stiefel.

Couple (2004-)
An interactive piece for electric guitar, speaker-controller,
and Daniel Trueman’s ublotar synthesis instrument.

Crosswords (2004)
mixed voices a capella

Fixations (2004)
solo piano

Repeat War Interruption (2003)
Sap Dream Quartet, Norfolk Summer Music Festival.

Processional Hymn (2002)
Commissioned by the First Lutheran Church of the Redeemer
for its Centennial Anniversary, Atlanta.

Fortune (2002)
electric guitar quartet
Sap Dream Quartet , New York Guitar Festival.

Lost and Found by Steven Mackey
arrangement for electric guitar quartet
published by Boosey and Halkes

Octet
(2001)
fl., cl., hp., pno., string quartet
Performed by the Nash Ensemble.

excerpt one

excerpt two

Suspension (2000)
for orchestra 2.2.2.2.4.3.3.1.timp.,2 perc., hp., strings
Reading by New Jersey Symphony.

Four Guitars in a Thought Bubble (2000)
(four guitars of like timbre)
Performed by the Minneapolis Guitar Quartet.

Body Swimming (2000)
(marimba and two vibraphones)
Performed by Talujon Percussion Quartet.

maison vague improvisation trio (with Clark Stiefel)

The Spell of Sensuality after Chernobyl (1999)
for string quartet, electric guitar, and field recordings from Chernobyl
recorded by Daniel Soder and Lauri Faggioni .
Performed by members of Serioso Quartet, Van Stiefel on guitar, Wendy Sutter on cello.
Hanna Kozlova (12 years after the accident)
The Texture of Taking Tea
Car, Geiger counter, and Abandoned Landscape

The Hidden Noise of Carlotta (1998)
for orchestra 3.3.3.3.4.3.3.1.timp. 3 per., pno. hp. strings
Reading by New Jersey Symphony.

Family Episode (1998)
piano quintet Ives String Quartet.

The lite principle (1998)
fl., e-gtr., vibes
Princeton Composers' Ensemble.

Baubles, Carpets, and Knives (1997)
alto flute, classical guitar, vibes. 
Commissioned by Yale Guitar Extravaganza,
Manuscript acquired by the Yale University Music Library.

I Hear You Singing in the Wire (1996)
originally pressed disks, multiple turntables and slide guitar
Commissioned by Art in Odd Places, 1996 Atlanta Olympic Festival.

Short Stories for tape (1995)
Commissioned by the Ostrava Ballet, Czech Republic.

Outdoor Music (1995)
for brass quintet and percussion
Commissioned by Arts Festival of Atlanta.

Tones On a Bent Twig (1994)
for sop., fl., cl., vc.,pno., perc.
Text by journalist Ralph McGill
Performances by Thamyris.

Penthesalia's Raga (1994)
for turntable, guitar, and percussion.

On Wet Roads On Autumn Nights (1993)
solo classical guitar, recorded by Benjamin Verdery (2002).

Relentless Pastoral (1992)
flute and clarinet, performances by Thamyris.

Oleander and Jasmine for string quartet (1992)
Commissioned by The Fernbank Museum of Natural History.

Mimosa for string orchestra (1991)
Commissioned by the Westminster Schools, Atlanta, GA
Performance by the Macon Symphony (2001).





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Van Stiefel's Tones on a Bent Twig, to texts by former Atlanta Constitution editor Ralph McGill (whose widow Mary Lynn Morgan was in attendance), achieved its most poignant moments in the final movement--a spare elegiac setting of the words 'we are all bent twigs and the South is much, and agonizingly, bent.'

Derrick Henry,
Atlanta Journal-Constitution

... the flood of art events that had filled Atlanta's long Olympic Summer neared an end with an experimental musical performance described by its witty young composer, Van Stiefel, as a monodrama for guitar and turntables. This last segment of the city's Art in Odd Places program took place in the not-so-odd side yard of an exquisitely restored Victorian mansion in the trendy intown neighborhood of Inman Park, beneath an art piece by Stiefel's wife, Caroline Lathan-Stiefel. Her subtly tinted spheres tied to the branches of a leafy tree transformed it into a vision out of a fairy tale, with impossibly perfect "fruits" glowing in the last rays of late summer sunlight.  Everything else suggested a belated Labor Day picnic; dogs frolicked in the grass, casually dressed couples and chatted and flirted over beer and potato chips, and in general there was little to indicate that what was about to happen was a fusion of popular and experimental music as a chillingly precise and close to the bone as anything in Manhattan...

 Jerry Cullum, art critic for the Atlanta Journal-Constitution